MMM
Movie : Medium of Moments
A short film series. On the road.
Official Selection — International Ocean Film Festival 2026
Movie : Medium of Moments
A short film series. On the road.
The Concept
Beyond the Recommended.
Journeying to encounter
the sublime.
本物に出会うためのロードムービー
01
Beyond Algorithms
What is real, rare, and unrepeatable. In an era when algorithms decide what we see and who we become, MMM chooses to travel to the edges — to find the human beings whose stories have not yet been optimized away.
02
Setsuna 刹那
The Buddhist concept of impermanence — the belief that everything in this world is in a constant state of flux. Even now, our cells are regenerating; we are not the same people we were a second ago. Since no moment ever repeats, every single one is a miracle. MMM exists to capture these miraculous fragments of time.
03
Beauty as Art
Not pretty. Not cute. The moment a person's conviction and existence manifests — that is Art. MMM captures the beauty shaped by the land, the streets, the culture, and the inner philosophy that defines an individual. The world is inherently beautiful. Illuminating that beauty inspires the courage and joy to truly live.
The Films
Documentary · Freediving · Photography
World-class freediver and photographer Ryuzo Shinomiya exists at the intersection of primitive human capability and modern technology. A poetic exploration of his relentless spirit — and the founding work that established the MMM visual language: atmospheric, intimate, symbolic.
Documentary · Ocean · Road Movie
Underwater photographer Yasuaki Kagii collects ocean debris and projects his underwater footage onto it — a road movie across Japan's coastlines shot entirely on vintage lenses. A poetic and powerful question about beauty and our responsibility toward life.
The Director
Director · Cinematographer · Editor
FULVIS K.K. — Tokyo
A Tokyo-based director and cinematographer working at the intersection of art, fiction, and documentary. To me, filmmaking is not merely an act of recording; it is an act of rebirth. Under my lens, old machinery begins to assert itself with new force, and individuals emerge with a confidence they never knew they carried. I believe images can change how we perceive reality and imagine the future.
While studying at Waseda University, I organized experimental events fusing live bands, VJ performance, and DJ sets. Starting as a VJ and guitarist, I developed a personal sensibility for rhythm and light. After graduating, I shifted into filmmaking and founded the creative unit AIRJOB, directing television programs and commercials featuring extreme sports — building the visual foundation that still drives my work today.
In 2007, I opened "factory LO," a café-bar that was among the earliest venues in Japan to integrate projection mapping as a core design element. In 2013, I founded FULVIS K.K. — pursuing visual expression across brand storytelling for global clients such as Sony, Toyota, and NEC through to spatial installations.
Moving freely between advertising and cinema, I continue to make work that renews how we see the things and people around us.
Selected Commercial Works
Watch full playlist ↗One eye. A 400-year-old cedar barrel — and a city's data stream at night.
Both asking the same question.
Objects at the intersection of functional craft and visual art. Shot to honor the weight and texture of physical things in a digital world.
FPV drone and gimbal cuts collapse the distance between factory floor and dinner plate. Shot on location in New York and New Jersey.
360 years of craft, the silence of cedar barrels in a Nada storehouse. Shot with vintage lenses to match the depth of the subject.
A launch film making abstract machine-perception tangible. Every shot filmed on actual operational sites.
Roadmap
The Model
FULVIS retains all series, festival and distribution rights. Partners receive cinematic brand storytelling at no production fee.
Included with sponsorship
FULVIS retains
mmm is a documentary film series that captures fleeting moments of travel, encounter, and light. We're looking for brands that share this sensibility. Not advertisers. Partners.
